Senga Nengudi is the next Nasher Prize Recipient

Narrowed down from a list of over 100 significant artists, the Nasher Sculpture Center has announced American artist Senga Nengudi as the recipient of the 2023 Nasher Prize. Now in its seventh year, the Nasher Prize is an international award for sculpture. 

Experts from around the world “whittle down the list to one figure who best exemplifies the purpose of the Nasher Prize to celebrate an artist with a considerable body of work that’s influenced the very understanding of sculpture,” said Nasher Sculpture Center Director Jeremy Strick during the Nasher Prize announcement at The Warehouse Dallas last evening. 

Nengudi will be presented with an award designed by Renzo Piano, architect of the Nasher Sculpture Center, at a ceremony in Dallas on April 1, 2023. 

“We are honored to award the 2023 Nasher Prize to Senga Nengudi,” added Strick. “Throughout her career, Nengudi has helped push the boundaries of the field of sculpture, inviting the world to reconsider the temporality of sculptural works, where these works can be displayed, and the materials out of which they can be composed.” 

Images: Maren Hassinger activating Senga Nengudi’s R.S.V.P. at Pearl C. Wood Gallery, Los Angeles, 1977
Photographer: Harmon Outlaw. © Senga Nengudi, 2022. Courtesy of Sprüth Magers and Thomas Erben Gallery, New York

Nengudi is best known for her sculpture and performance works that speak to the fragility and resilience of the human body, individual agency, and the importance of collaboration and friendship. Her practice has come to encompass poetic, enigmatic objects, and installations alongside performances, films, and photography. Over a career spanning more than five decades, Nengudi’s achievements have had a significant impact on contemporary art history. Nengudi will be the subject of a major, long-term exhibition at Dia Beacon, opening February 17, 2023.

Born in 1943, Nengudi spent her early years with her mother in California, where she developed a passion for art and dance. She went on to study both disciplines at California State College Los Angeles, where she earned a master’s degree. Her career began in earnest in the mid-1960s, coinciding with many significant historical movements in the United States, including the civil rights movement, the women’s movement, and second-wave feminism. These events had a deep influence on her, spurring her to produce ephemeral, abstract, and performance-based work taking issue with concepts of race, gender, ethnicity, labor, and the passage of time. While initially underappreciated Nengudi’s work has since expanded the understanding of what can be defined as political art.  

After traveling to Japan and New York, Nengudi returned to Los Angeles and became a member of Studio Z, along with artists David Hammons, Maren Hassinger, and others. Here they collaborated and experimented with discarded materials and overlooked spaces, including highway underpasses. In 1974, Nengudi began to employ used pantyhose in her practice. She often collaborated with Hassinger, who interacted with the artist’s web-like sculptures of pantyhose, extending them as a setting for performance art.  

Pantyhose remains a defining feature of Nengudi’s art to this day. She stretches, fills, and knots them as an allusion to bodies and flesh – particularly that of women. The works elicit pain, age, violence, and temporality, and are prone to wear with time. Nengudi also evokes the physicality of the body’s anatomy through other materials, such as water, sand and powdered pigment, many of which evaporate, disintegrate, or otherwise do not last. The transient nature of both her sculpture and performance work makes documentation an essential part of the art. Resisting the convention of permanence in sculpture, many of Nengudi’s early works are only known through her notes, photographs, and film recordings.  

“An artist’s supposed greatest desire is the making of objects that will last lifetimes for posterity after all,” said Nengudi. “This has never been a priority for me. My purpose is to create an experience that will vibrate with the connecting thread.” 

Some of Nengudi’s most notable works include Ceremony for Freeway Fets (1978), a performance organized by the artist featuring Hassinger, Hammons, and Nengudi herself dancing  under a Los Angeles freeway underpass, its support columns festooned with Nengudi’s pantyhose sculptures; the Water Compositionsseries, made up of plastic sacs filled with colored water in shades of red, purple, green, blue, yellow, and orange; and the R.S.V.P. series, in which Nengudi filled secondhand pantyhose with sand, stretching and elongating them across the floors, walls, and corners, to suggest sagging or distended bodies. This series made its public debut at Linda Goode Bryant’s Just Above Midtown Gallery in 1977, and an iteration (R.S.V.P. I, 1977/2003) is currently on view as part of the Museum of Modern Art’s permanent collection in New York City.

“The choice of Senga Nengudi is both timely and wonderful,” said Nasher Prize juror Lynne Cooke. “The fact that she makes work with these everyday means that had no history within sculpture and were of no great value is something that means a lot to younger artists as well as to a wider audience. Nengudi shows that you don’t have to have massive resources or be working with expensive materials. You can take the everyday and use it to throw light on issues around how we as humans, as people, inhabit space and how bodies are conditioned and almost morphed by different forms of repetitive activities. Her work is truly remarkable, and we are delighted to honor her with the 2023 Nasher Prize.”

Nengudi is the seventh artist to receive the Nasher Prize; previous winners are Nairy Baghrahaim (2022), Michael Rakowitz (2020-21), Isa Genzken (2019), Theaster Gates (2018), Pierre Huyghe (2017) and Doris Salcedo (2016). The 2023 Nasher Prize jury that selected Nengudi is comprised of Nairy Baghramain, artist; Carolyn Christov-Bakargiev, Director of Castello di Rivoli, Italy; Lynne Cooke, Senior Curator, National Gallery of Art, Washington, D.C.; Briony Fer, Professor, History of Art, University College London; Hou Hanru, Artistic Director, MAXXI, Rome; Yuko Hasegawa, Chief Curator, Museum of Contemporary Art Tokyo; Pablo León de la Barra, Curator at Large, Latin America, Guggenheim Museum; and Sir Nicholas Serota, Chair, Arts Council England. 

In conjunction with the Nasher Prize, the Nasher Sculpture Center presents an annual series of public programs exploring the climate of contemporary sculpture. Called Nasher Prize Dialogues, the talks gather interdisciplinary luminaries to discuss the most compelling topics regarding contemporary sculpture. By galvanizing international discourse, Nasher Prize Dialogues are an apt extension of the Nasher Prize’s mission to advocate for and advance a vital contemporary art form. Recent talks have taken place in Copenhagen, Denmark in partnership with CHART; Reykjavik, Iceland in partnership with the Reykjavik Art Museum; and in Glasgow, UK in partnership with The Common Guild and Glasgow International 2018; and in Mexico City in partnership with Museo Jumex.

PATRON congratulates Senga Nengudi as the recipient of the 2023 Nasher Prize and looks forward to celebrating her life and work on April 1, 2023.